Los temas más grandes de la vida se exploran con arte. Amor, odio, los celos, miedo, cólera, pasión y todo lo demás que usted puede imaginarse. Creo que el trabajo de un artista es contar estas historias. Así define su arte René Capone:
Una fascinación para el aspecto fisiológico del arte me empuja en la dirección de la figura y el afectar en espectadores. La figura a mí me representa una mirada dentro de la mente.
Estilístico combinando que con imágenes del paisaje, o nociones abstractas, creo las escenas y las historias. Las ideas funcionan muy fuerte en mis trabajos pero el color es a menudo la voz. Me esfuerzo en crear un sentido del misterio y del surrealismo.
Mi meta es ser honesto y pedir que otros interpreten para ellos mismos las preguntas que se generan con mis pinturas. Estas preguntas son diferentes para cada uno y eso es qué hace que cada persona mire un pedazo de arte diferente.
Las pinturas y los dibujos pueden ser mapas si alguien las deja ser.
Less quiero contar 
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abril 5, 2008 a 3:29 pm
Daniel Verdejo
Daniel Verdejo – Barcelona España arterupestresi@hotmail.com
PREHISTORIC – EROTIC ART:
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http://www.arterupestre-c.com
As we can see through different images, they had sexual intercourse with animals, homosexual relations and more than two people at the same time.
http://www.arterupestre-c.com/1000.htm
Venus – Venuses
http://www.arterupestre-c.com/1000ven.htm
There is o ne sculpture that is emblematic, found in 1908, after lots of research and different epochs being affirmed as the real o nes about this sculpture, now they believe it was done around 24,000-22,000 BC.
It shows a woman with a large stomach that overhangs but does not hide her pubic area. A roll of fat extends around her middle, joining with large but rather flat buttocks, there’s no face and seems that at this place there is a hat or even hair rolled up o n the head.
Her genital area would appear to have been deliberately emphasized with the labia of the vulva carefully detailed and made clearly visible, perhaps unnaturally so, and as if she had no pubic hair. This, combined with her large breasts and the roundness of her stomach, suggests that the «subject» of the sculpture is female procreativity and nurture and the piece has long been identified as some sort of fertility idol.
The fact that numerous examples like that of a female figure. All generally exhibiting the same essential characteristics – large stomachs and breasts, featureless faces, minuscule or missing feet – have been found over a broad geographical area ranging from France to Siberia. That suggests that some system of shared understanding and perception of a particular type of woman existed during the Paleolithic.